Showing posts with label tea cooper. Show all posts
Showing posts with label tea cooper. Show all posts

Sunday, 13 July 2014

Re-release! Lily’s Leap by Téa Cooper

I’m thrilled to have Tea Cooper drop by today, and it’s not just because she’s such a nice person and writes great stories (although that’s important!) – it’s because she’s here to talk about the re-release of Lily’s Leap.

If you read this blog regularly you may have a vague memory of our chat when this book first came out in May 2013. So here’s an update!



  1. Has “Lily’s Leap” altered since it was originally released, if so, how?

Yes, it has! The original story is the same but the ending is longer, a little less rushed, if I am truthful. It’s been an interesting journey because Lily’s Leap was the second book I wrote and my writing style has changed. I think it’s tighter and most importantly because it has been released by an Australian publisher it more truly reflects Australia. I like to call it a historical rural romance.


2.     Can you tell us a bit about the gorgeous new cover and how well it sums up the story?

I’m thrilled with the new cover. Lily is just right – the pampered daughter of a colonial upstart who has no intention of being pushed around. The background is Dungarven – the horse stud she calls home.


  1. What was it like going back to Lily and Tom – meeting up with old friends, or a bit awkward at first?

Definitely meeting up with old friends but knowing so much more about them, as though you’d had a chance to “spy” on them so I knew what they were thinking.

  1. What/who inspired you to write the story?

Without a doubt Patrick Bruin! On Tuesday, February 16th Patrick made the mistake of bailing up the local JP Mr Thomas Crawford. I say made the mistake because he’d run off at the mouth and bragged about what he was up to. Someone dobbed him in. Mr Crawford was there with his servants, all armed, and Patrick was mortally wounded and died in Wollombi Lock-Up. Mind you none of those things happened Tom!


  1. Would you consider a follow up story?

That’s an interesting question because Lily is actually my first Wollombi story and Matilda’s Freedom, which released in July 2013, is the follow-up. Both books stand alone but there are a few characters who appear in both stories – my favourite is Jem the Aboriginal tracker.


And a bit about you…
  1. You’ve had lots of books published since we last chatted, how do you find the time? Are you a fast writer who hides away for days on ends, or is it a little bit here, a little bit there?

I have to admit to throwing in the towel and giving up full time work so I have more time than a lot of people. I’m a bit of a marathon writer. Once I get the plot sorted I like to write a quick and dirty first draft in as little time as I can manage. I live it and breathe it until it is done – mind you it then takes me the same amount of time to do the first edit!
  1. What are you reading at the moment, and are there any particular authors that are must-reads?

My latest favourite is author is Kate Morton. Right now I can’t get enough of her books. I’ll read anything by Deborah Challinor as soon as it comes out – I love her books and I also have a “bit of a thing” for non fiction, especially anything that is historical. I picked up The Art of Beauty by Madame Lola Montez at the local flea markets recently, first published in 1858.  Books like that are a must read.

  1. Has life changed for you over the last couple of years/since you’ve signed with your new publisher?

Yes! I am now published by Escape Publishing – an imprint of Harlequin Enterprises Australia. It is an absolute delight to work with an Australian publisher when you write Australian romance!

  1. Best bit of advice you’d give an aspiring author?

Be patient – don’t jump at the first contract you are offered. Check out all the possibilities before you sign on the dotted line. And write – and keep writing!

  1. Best bit of advice you’d give yourself now as a writer, if you could relive the past couple of years?

As above – be patient!

  1. Have you any other books in the pipeline that you can tell us about?

Yes! In October, 2014 my first 1920s romance releases with Escape. It’s called Jazz Baby, set in Sydney in the 1920s. It was a pretty nasty place to be. In February, 2015 Forgotten Fragrance which is the first book in a family saga From the Ocean to the Outback – set aboard a whaling ship somewhere between Tasmania and Sydney releases. Lots of pirate like characters and of course romance, and the spin-off from Jazz Baby, The Wages of Sin, will release sometime after that.



Thanks, Susie! Lovely to visit again.

From Escape's Queen of Australian historical romance comes a story about a privileged member of Australian's squattocracy, a bushranger, and a very special horse.

Born into the rough, but privileged society of the Australian colonial landowners, Lilibeth Dungarven finds herself married, widowed, and, much to her distress, back under her father’s thumb, all before her twenty-first birthday. Determined not to forgo her dream of breeding the perfect racehorse, Lilibeth ignores propriety and sets out to restore the family’s flagging fortunes.

When Captain Tom and his mismatched band of bushrangers stumble across a mob of the best horses they’ve ever seen, and the daughter of the famed Dungarven horse stud, they know their fortunes have changed. Their catch is worth a king’s ransom. All they have to do is hold her for seven days. How hard can it be to control the pampered daughter of a colonial upstart?


ISBN: 9780857991713 Publication Date: July 1, 2014


Amazon and Goodreads Reviews:

Forget work, forget all your responsibilities and slide into this delicious story ... a well-written book by a talented writer ... since I doubt I’ll be visiting Australia, it was a treat to feel like I was there, herding horses to market across the Australian Outback. The landscape assumes the position of a character in this exciting romance; playing a pivotal role in Lily’s adventure. A fabulous read by a very talented Aussie author … I have no hesitation in HIGHLY recommending Lily’s Leap.”




Excerpt:
Hunter Valley, Australia 1848

Lilibeth Dungarven’s cry of pure pleasure soared skywards as the massive black stallion rose to clear the fallen tree, sending the horrors of the last four years scuttling into the dirt of the ancient land.
Clenching her knees against Nero’s heaving flanks she bent low, ducking the overhanging branches framing the bush track, her cheek pressed to the warmth of his muscular neck. When the erratic pounding in her chest settled she drew Nero to a shuddering halt and pushed the damp curls back from her forehead.
A pair of black cockatoos, disturbed by her madcap gallop, shrieked their annoyance and resettled in the whispering casuarina trees. The crack of their beaks as they threw the mangled nuts to the ground filled the silence. Below her the ribbon of sandstone road weaved its way towards Payne’s Crossing and she shielded her eyes from the sun, searching for her mob of horses.
A glint of reflected sunlight drew her eye to a mounted figure in the middle of the road. Despite the hat pulled low shadowing his face, the stockwhip crack of his words registered deep in her belly.
‘Bail up! Guns down and off the horses.’
‘What do you think you...?’ Constricted by the tension in her throat her words petered out. No one would dare steal such a valuable mob of horses. They were branded. Everyone in the colony knew the Dungarven brand. To lose them was unthinkable. Years of breeding — the first pure Dungarven bloodlines. Months proving herself capable of managing the sale and the trip to Sydney. And now a hold up! It would not happen. Not if Lilibeth Dungarven had any say in the matter.



About the author:


Lily’s Leap is Téa's second Australian historical romance set in Wollombi. Her first, Matilda’s Freedom is available now.

In October, Jazz Baby, a 1920s rags to riches story set in Sydney will be released and in February, Forgotten Fragrance, Book I of a family saga entitled From the Ocean to the Outback. At the moment she is working on a parallel time-line series called The Adventures of Miss Abigail Wynter. She has also written three contemporary romances.


Where to find out more:

And here's a glimpse of that follow up book!


Wednesday, 19 June 2013

Passionfruit and Pavlova (or should that be Poetry?) with Téa Cooper

I'm excited to welcome back Téa Cooper, who has another new release! Read on to find out about 'Passionfruit & Poetry' (and pavlova!)...

I thought I'd slip in a bit of Australiana and give everyone a taste of my next contemporary romance
Passionfruit & Poetry releasing on June 17th.

One of the signature 'cakes' at the Café Cinematique is Jeanie's grandmother's Mini Passionfruit Pavs. She gives Xander a box to take back to Sydney with him. He is pretty taken with them
         “Xander closed his teeth over the meringue and bit into it. The scent of the juicy raspberries mixed with the passionfruit filled the car.
         Heaven.
    The meringue melted in his mouth and he licked his lips, grinning at the memory of the cake stands full of old-fashioned delights at Café Cinématique.”
In case there is anyone who doesn't know a Pavlova is a cream and fruit-filled, sugary dessert that's been made in Australia and New Zealand as a celebration cake for more than 70 years.
It was named after the legendary Russian prima ballerina Anna Pavlova, who toured Australia and New Zealand in the late 1920s.
Here's a recipe from the celebrated Australian chef Margaret Fulton if you fancy trying it!
INGREDIENTS

·         4 egg whites, at room temperature

·         a pinch of salt

·         1½ cups castor sugar

·         1½ tsp vinegar

·         1 tsp vanilla
300ml/1 cup cream whipped,
·         pulp of 3 passionfruit
·         raspberries and strawberries for decoration
METHOD
·         Preheat the oven to 200-210C (390-400F). Place a piece of baking paper on a baking tray and mark out a 6cm (about an inch) circles (the pavlova will spread a little).
·         Beat the egg whites and salt in an electric mixer until they stand in stiff peaks. Sift the sugar and gradually sprinkle in 1 tablespoon at a time, beating at full speed only until all sugar has been added. Lastly, fold in the vinegar and vanilla.
·         Spoon large dollops inside the circle on the baking sheet and smooth over the top lightly.
·         Place in the oven (reducing the temperature to 150C/300F) for 1 hour. Turn off the heat and leave pavlova in the oven until cold. If using a gas oven, bake at 150C/300F for 1 hour, reduce heat to 120C/250F for a further 30 minutes and then turn oven off and leave the pavlova in oven until completely cooled.
·         When pavlovas are cooled, slide onto a large, flat cake plates and remove the baking paper. Don't worry if the pavlova collapses slightly; also expect cracks on the surface. Whip the cream until stiff and spoon over the top of the pavlova.
·         Spoon over the passionfruit pulp and raspberries to serve.
Here’s a link to a conversion chart because us Aussies use metric and I might have got it wrong!! http://www.hintsandthings.co.uk/kitchen/liquid.htm
Recipe from The Margaret Fulton Cookbook - revised and updated edition of the 1968 classic. Published in 2004 by Jannie Brown and Suzanne Gibbs. Distributed by Hardie Grant Books ($59.95, HB).

Photo: Drew Ryan Individual pavlovas at EQ Cafebar.



Built up an appetite? Read on to find out more about the book! 

Passionfruit & Poetry by Téa Cooper
When Xander Fitzgerald, darling photographer of the Sydney fashion scene, takes a shot of Jeanie Baker his ISO settings hit red alert and no one's life is ever the same again.
Jeanie believes she is content–a small town girl happy running the Café Cinématique with her grandmother but with Xander's arrival her life takes an unexpected turn and she finds herself unwillingly thrown into the limelight. 
For a girl with few ambitions Jeanie's new life is at once both terrifying and strangely liberating and in Xander's company she blossoms into a woman she hardly recognizes. But the sophisticated life of Sydney is full of smoke and mirrors and when her past comes back to haunt her all she wants is head home, back to passionfruit pie and her grandmother's warm hug. 
Xander discovers he can't have his cake and eat it too. He has to make some serious decisions but is he prepared to give away everything he has worked for to win the woman he first glimpsed through the lens of his camera
Digital Edition: $4.99 | ISBN: 9781440567889| Publication Date: June 17th, 2013 | 
PDF – MOBI – EPUB 
Available at: Crimson Romance eBooks Amazon | B&N | iTunes

Excerpt:
Copyright 2013, Téa Cooper
All rights reserved, Crimson Romance.
With a steadying breath, Jeanie walked up, hand outstretched and a tight smile plastered on her face. “Good morning, Mr. Fitzgerald.” 
He turned and a gasp of surprise froze in her throat. Colored contacts. It had to
be – his eyes were exactly the same navy as his shirt. Definitely contacts. Somehow her hand ended up in his – she glanced down at it and something jumped inside her, then she jerked her hand back as he started to speak.
“Good morning, you must be Jeanie. Your grandmother was just telling me about the lovely little business she’s been running here for longer than I can believe.”
Forcing her lips back into a smile Jeanie studied the navy-eyed smooth talker, trying to ignore the coy titters emanating from the direction of her grandmother. On closer inspection he wasn’t as young as she’d thought, which was probably why Gran was making such a fool of herself. Once a man turned thirty, he was fair game in Gran’s book – any younger and she deemed it cradle snatching.
Fine lines radiated out from the corners of his eyes and the non-designer stubble on his chin gave him an almost negligent air, as though he’d been in a bit of a hurry to leave the house, and the creased linen shirt only added to it.
She cleared her throat and beat down the flush on her cheeks. “We don’t get many complaints. Gran’s the talented one. I just make the coffee and clear the tables.”
His vivid gaze roamed backward and forward across her face and a shot of something as potent as the brandy Gran put in her Christmas cakes raced through her. Her toes tingled. She lifted her hand to her face and brushed her hair away from her forehead. Perhaps they’d need the fans on with all these extra people around. It was very warm in the café.
“Have we met before?” he asked.


Biography:
Téa writes contemporary and historical romance featuring strong-minded women and irresistible Australian men.  She has written two other contemporary Australia romances—Tree Change and The Protea Boys. Her love for old movies and all things 'retro' inspired Passionfruit & Poetry – and, in all honesty, the most disgustingly delicious passionfruit and lemon tarts made by her local patisserie.
To keep up with all of Téa's news visit her website www.teacooperauthor.com where you will find links to her blog and social media pages.



Thursday, 16 May 2013

Welcome back Téa Cooper!


Téa is back here again today to tell us more about her latest release - The Protea Boys.



Hi Tea, great to have you back here.
Great to be here! I like these quick trips back to the UK.

I’ve noticed that you seem to like heroines who are strong and up for a challenge! I wonder if you could tell us a bit more about what makes the perfect heroine for you - and what type of girl we’d never see in one of your books!

I like my heroines to have their own agenda and to live their lives despite their heroes, not because of them! Conventional heroines don’t interest me nor do heroines who see themselves as damsels in distress, waiting for their hero to come along and complete their life. That’s part of Georgie’s problem with Tom, her number one Protea Boy, he’s exactly what she is not interested in -  a control freak who thinks he can do her job better than she can!
None of that makes my heroines immune to romance but their heroes have to measure up and be prepared to accept them for the person they are. It makes for lots of fireworks and heroes who have to prove themselves.
The challenge as a writer is to keep your heroine realistic and feminine without resorting to a stereotypically shortcut. I like heroines who think for themselves and challenge authority. Heroes are often lauded for doing those things so why not heroines?
So you are not going to see me writing Regency, or anything involving princesses waiting for their knight in shining armour. That’s one of the reasons I enjoy writing Australian heroines because historically they were less constrained by society’s expectations.
There are some great women in Australian history. Ellenor Frazer was the first woman to receive a land grant in 1794, and there was Mary Ann Bugg who taught Captain Thunderbolt a lesson or two and my favourite Tilly Devine, she was a prominent Sydney crime syndicate gang member, involved in a wide range of activities, including sly-grog and razor gangs and as a madam but that’s another story….


Book blurb:
Georgie can run but she can't hide from the man who stalks her dreams and throws her ordered life into a tailspin.

Emotional entanglement is not on Georgie Martin's to do list. She has turned her back on her sophisticated Sydney lifestyle, determined to renovate her parents old flower farm and her shattered ego. However the challenges prove more than she bargained for until a madcap scheme comes to fruition and The Protea Boys are born. The team of efficient, well-tapered six-packs solve her farming problems, but their leader presents a different kind of challenge—their first spark of attraction ignites a passion she cannot ignore.

Tom Morgan likes his women “pretty and entertaining,” not “efficient and driven," but the threat of being co-opted as a wine waiter or worse, chef in his brother’s restaurant encourages him to take up what he sees as the highly amusing challenge of managing The Protea Boys. It is the perfect distraction while he waits for a new assignment—or so he thinks until he realizes he has found the one woman he cannot run away from.

Can you share a little excerpt?

Copyright 2013, Téa Cooper
All rights reserved, Breathless Press.

A nonchalant silhouette leaning against the side of the black four-wheel drive came into view. Tall and lean, with an Akubra pulled down shadowing his eyes and arms folded across his chest. As Georgie slammed to a halt, he pushed his hat back and winked at her.
"What are you doing here?" she snapped.
Shit, not a very polite way to greet someone.
It was a trick. Hillary had played a huge trick on her.
"Good morning, Georgina." His laconic drawl made the hairs on her arms prickle, and his gaze ran up and down the length of her body; she stopped herself from rubbing her arms just in time. At least six feet four inches of pure muscle and screaming masculinity. The mere sight of him made her hackles rise. This was not one of her ridiculous dreams. She groped around, trying to find something to say, but he offered no help, just kept looking her up and down, waiting patiently.
"I didn't know it was you," she managed to splutter.
"You didn't know what was me?" he said, green eyes sparkling at her. She wanted to slap the ridiculous, audacious grin off his face. He was enjoying every moment of her discomfort.
"Hillary didn't say it was you." She ground the words out between her gritted teeth.
"Hillary didn't exactly say it was you either—but I guessed."
The whole conversation, if you could call it that, got more idiotic by the moment.
Take control. I have to take control.
Blood pounded somewhere inside her head. "So you're here to work, not just making a social call?" She narrowed her eyes, unable to be civil.
"I'm under the impression I'm starting work today. Hillary said you were expecting me, and I should turn up at seven o'clock this morning." He stared pointedly at his watch, accentuating his deliciously muscled forearm. " It's five to, by my reckoning."
"I didn't know it was you." Georgie's brain had stuck, like an old, scratched CD, the phrase stuttered in her head, and she couldn't stop it falling out of her mouth. "I didn't know it was you. Hillary said your name was Morgan."
"It is. Morgan, Tom Morgan." He enunciated the words as though she had a limited command of English.
In an attempt to restrain the recurring urge to hit him, Georgie clenched her fists.
"Remember? I introduced myself after our little adventure with the wombat last week."
Remember.
How could she forget? She involuntarily moved her finger to her lips, unsure for a moment if her memory of his kiss was real or not, but the glimmer in his eye assured her it was, and she pulled her hand from her face and stuffed it into her pocket.
"Then we spoke on the phone."
"Yes. I remember. It's just I didn't know it was you Hillary had interviewed."
You're burbling, talking nonsense.
Hillary had said his name was Morgan, and she hadn't put two and two together. She dreamed—not dreamed, no, he didn't need to know about her dreams—of him as Tom.
Tom of the predatory green eyes with tawny flecks.
Mr. Leopard Eyes who was watching her with a deal more than a glint of amusement. She sucked in a deep breath and exhaled, enjoying the exasperated puffing sound escaping her lips. Her flesh shivered despite the warmth in her face.
"I can go if you like. It's not a problem. I was looking forward to the job. Thought it would be a challenge working for two lovely ladies."
That's it. That's done it. The patronizing sexist.
She clenched her teeth to prevent the words escaping. Sometime in the not-too-distant future she would explain to this man that she was running the business and she employed him—not the other way around. She'd played this game before, and she had no intention of falling into the trap again.




Where can your readers find you?


Biography:

 Téa writes contemporary and historical romantic fiction featuring strong-minded women and sexy Australian men. Love and life Down Under isn't always easy. Her heroes and heroines have to fight long and hard for what they believe in before they reach their happy ever after.
The Protea Boys is Téa's second Australian contemporary romance and her third Passionfruit & Poetry will be published in mid 2013. She is currently working on a series of nineteenth century historical romances set in Sydney and the Hunter Valley. The first two, Lily's Leap and Matilda's Freedom, will be released in May and July 2013.
To keep up with all of Téa's news visit her website www.teacooperauthor.com where you will find links to her blog and social media pages.